Art History and Archaeology of Ancient China;
History of Mass Production;
History of Ephemeral arts, e.g. tea, incense, and qin-zither music;
History of Antiques Exchange.

Accepting Ph.D. students

I do not mind if your first degree is not in art history or archaeology—my first degree is Translation! Students with degrees in art history or archaeology are certainly welcome. However, if your first degree is not related to my areas of specialization, I would love to see what preparation you have done prior to your Ph.D. application. Topics that fall completely outside of my research focus will still be considered, but they are not prefererred because I may not be able to offer you adequate supervision. Transdisciplinary apporaches are welcome, but you have to demonstrate a particular concern for the humanities.

Refereed Scholarly Books, Monographs, Edited Volume, and Book Chapters

a. Research Book, Monograph, and Edited Volume

• LI, Kin Sum (Sammy). 2025. Bronze Mirrors in Ancient China: Artistry and Technique. Seattle: Washington University Press. https://uwapress.uw.edu/book/9780295752907/bronze-mirrors-in-ancient-china/
  Supported by Traditional Chinese Culture and Society Book Fund;
  Barr Ferree Foundation Fund;
  Metropolitan Center for Far Eastern Art Studies.

• LI, Kin Sum (Sammy). 2024. Tea, France, and Music: Ephemeral Arts and the Formation of Scholar-Artist Communities in Northern Song China. Leiden: Brill. https://brill.com/display/title/63606?rskey=Jt1TiT&result=4
  Open-access publication cost, supported by the HKBU Jao Tsung-I Academy of Sinology – Amway Development Fund.

• LI, Kin Sum (Sammy) (ed.). 2023. Technology and Society 技術與社會. Guest editor for the inaugural and special issue of Kaiwu: Science, Technology and Culture 開物：科技與文化, vol. 1: 34-146. Hong Kong: PolyU Press. DOI: https://www.polyu.edu.hk/-/media/department/home/publication/press/2023issue1eversion.pdf

• LI, Kin Sum (Sammy). 2017. Universe within Inches: Bronze Mirrors Donated by Professor Mark Kai-keung 方圓天地——麥氏贈鏡. Bilingual (English and Chinese). Hong Kong: Art Museum, The Chinese University of Hong Kong.

b. Chapters in Edited Books

• LI, Kin Sum (Sammy). (forthcoming). “Tea and the Community Formation of Cultural Elites in the Northern Song,” book chapter in The Stories We Tell: Studies in the Culture, History, and Science of Tea, edited by Katharine Burnett. Leiden: Brill.

• LI, Kin Sum (Sammy) 李建深. 2024. “Keji fazhan zhong de renwen lingxiu” 科技發展中的人文領袖, in Renwen yu ligong 人文與理工, eds. Zhu Honglin 朱鴻林 and Han Xiaorong 韓孝榮, 30–51. Hong Kong: PolyU Press.

• LI, Kin Sum (Sammy). 2021. “Chudi de daguimo shengchan – yi tongjing, sizhipin weili” 楚地的大規模生產——以銅鏡、絲織品為例 (Mass production in the Chu area – examples from bronze mirrors and textiles), in Chuwenhua yu Changjiang Zhongyou Zaoqi Kaifa Guoji Xueshu Yantaohui lunwenji 楚文化與長江中游早期開發國際學術研討會論文集 (Proceedings of the International Conference on Chu Culture and Early Development of the Middle Reaches of the Yangtze River), edited by Xu Shaohua 徐少華 et al., 63-72. Wuhan: Wuhan University Press.

• LI, Kin Sum (Sammy). (Accepted). “Qingtongjing yanjiu de fansi yu fazhan” 青銅鏡研究的反思與發展 (Reflections on the field of bronze mirror studies and its development), in the 2020 issue of the Guoji Hanxue luncong 國際漢學論叢 (International Papers on Sinology), eds. Huang Kuan-yun 黃冠雲 and Yu I-fei 游逸飛.

• LI, Kin Sum (Sammy). 2018. “Cultural Interactions throughout the South China Sea,” in Voyages, Migration, and the Maritime World: On China’s Global Historical Role, eds. Ho, Clara Wing-chung, Ricardo K. S. Mak, and Tam Yue-him, pp. 91-120. Berlin, Boston: De Gruyter Oldenbourg. DOI: https://doi.org/10.1515/9783110587685

• LI, Kin Sum (Sammy). 2018. “Helihuo Dao yu wenwu jiaoyi” 荷李活道與文物交易 (Hollywood Road and Trades of Antiques), in Helihuo Dao: xunmi wangri fenghua 荷李活道：尋覓往日風華 (Hollywood Road: in search of past splendor), eds. Zheng Hongtai 鄭宏泰 and Zhou Wengang 周文港, pp. 81-104. Hong Kong: Chung Hwa Book Company.

Refereed Journal Publications (*corresponding author)

• *LI, Kin Sum (Sammy), Pan Yu, Zhou Zhihua, Liu Yu, Li Xiaopeng, Eugene Ch'ng, Zhou Chao, Ma Guancong, Wan Renjie, Sit Shui-yan, Zheng Haoyun, and Li Zhuoyi. (forthcoming). “Newly Tested Bell Pitches Prove Presence of Chromatic Scale in Eleventh-century BCE China.” npj Heritage Science (formerly known as Heritage Science, Springer Nature). SCI-E, AHCI, Scopus 97%

• Chen, Xueqing, *Kin Sum (Sammy) Li, Jingyuan Tian, Haoyun Zheng, and Shui-yan Sit. (forthcoming). “Replicated Products in the Chinese Bronze Industry and Digital Object Searching.” Archiv Orientalni. AHCI

• Chen Xueqing 陳雪晴, Liu Haiwang 劉海旺, Tian Jingyuan 田婧媛, *Li Kin Sum (Sammy) 李建深. 2026. “Dongzhou shiqi de tongzhong fuzhi xianxiang” 東周時期的銅鐘複製現象, Jiang Han kaogu 江漢考古, 2026.1: 129–38. CSSCI

• LI, Kin Sum (Sammy). 2025. “Digital and Physical Re-creation of Ancient Chinese Bells: New Understandings and Discoveries.” Humanities and Social Sciences Communications (Springer Nature), vol. 12, article no. 48, 15 pages. DOI: https://doi.org/10.1057/s41599-024-04133-8 SCI-E, AHCI, Scopus 99%
  

• *LI, Kin Sum, Yu Liu, Guancong Ma, Kwong Ip Liu, Michael Kwok-Po Ng, Haiwang Liu, Keith Wilson, Xueqing Chen, Kin San Lee, Qin Fang, Johnny M. Poon, Xu Qin, Tsz Hin Chun, and Haoran Jiang. 2024. “A ‘Set’ of Ancient Bronze Bells Excavated in Changsha, Hunan Province, China.” Heritage Science (Springer Nature), vol. 12, article no. 264. 15 pages. DOI: https://doi.org/10.1186/s40494-024-01377-0. SCI-E, AHCI, Scopus 94%

• *LI, Kin Sum (Sammy), Haiwang Liu, Keith Wilson, Xueqing Chen, Kin San Lee, Qin Fang, Xu Qin, Yu Liu, Tsz Hin Chun, and Haoran Jiang. 2024. “Potential Scale of Industrial Outputs of the Bronze Bell Casting Industry in 500 BCE China,” Archaeological and Anthropological Sciences (Spring Nature), vol. 16, article no. 71. 14 pages. DOI: https://doi.org/10.1007/s12520-024-01979-6. SCI-E, SSCI, AHCI, Scopus 95%

• LI, Kin Sum (Sammy). 2024. “Emphasis on Visual and Tactile Experiences: Mechanical Treatments of Bronzes and Jades in Ancient China,” Early China (CUP), vol. 46: 1-43. DOI: https://doi.org/10.1017/eac.2023.6. AHCI, Scopus 90%

• LI, Kin Sum (Sammy). 2023. “Precious Stones and Bronzes in Jade Age and Bronze Age of China,” Old World: Journal of Ancient Africa and Eurasia (Brill), vol. 3, issue 1, special issue: Bronze Age Civilizations, edited by Julien Cooper and Yegor Grebnev. 23 pages. DOI: https://doi.org/10.1163/26670755-20230003

• LI, Kin Sum (Sammy). 2023. “Preface – Technology and Society: Integration of Art History, Archaeology, and Modern Technologies, and Future Prospects” 技術與社會：藝術史、考古、現代科技的結合與未來展望. Kaiwu: Science, Technology and Culture (PolyU Press), vol. 1: 36-38. DOI: https://www.polyu.edu.hk/-/media/department/home/publication/press/2023issue1eversion.pdf

• LI, Kin Sum (Sammy). 2023. “Methods to Understand Metal Artifacts” 認知金屬文物的方法, Kaiwu: Science, Technology and Culture, vol. 1: 56-57.

• LI, Kin Sum (Sammy). 2023. “Looking into the Inside of Bronzes” 看穿青銅器的內部, Kaiwu: Science, Technology and Culture, vol. 1: 73-74.

• LI, Kin Sum (Sammy). 2023. “Art History, Archaeology, and 3D Technology” 藝術史、考古、3D技術, Kaiwu: Science, Technology and Culture, vol. 1: 75-87.

• LI, Kin Sum (Sammy). 2023. “In Search of Identical Bronzes of the Pre-Qin Period” 先秦全同青銅器的求索, Kaiwu: Science, Technology and Culture, vol. 1: 102-3.

• LI, Kin Sum (Sammy). 2023. “Background of Studies of Jade-processing Technologies” 玉器技術研究的背景, Kaiwu: Science, Technology and Culture, vol. 1: 114-15.

• LI, Kin Sum (Sammy). 2023. “High-tech and Humanities Exploration in the Studies of Jades” 玉器研究中的高科技與人文探索, Kaiwu: Science, Technology and Culture, vol. 1: 142-43.

• LI, Kin Sum (Sammy). 2023. “Coda – Historical Research Needs Technology, Technological Innovation Needs History” 歷史研究需要科技，科技研發需要歷史, Kaiwu: Science, Technology and Culture, vol. 1: 144-46.

• *Tang Chung 鄧聰, Xu Hong 許宏, Zhao Haitao 趙海濤, Emiliano Melgar, Deng Xuewen 鄧學文, Liu Jialin 劉佳林, and Li Kin Sum 李建深. 2022. “Zhong Mo lüsongshi qianpian zhizuo jishu duibi yanjiu” 中墨綠松石嵌片製作技術對比研究, Jiang Han kaogu 江漢考古, 2022.4: 114-22. CSSCI

• LI, Kin Sum. 2022. “A Bowl of Good Tea in the Northern Song Dynasty: Using Modern Examples to Understand the Daguan chalun 大觀茶論,” East Asian Science, Technology, and Medicine (Brill), vol. 54, no. 1, pp. 3-41. DOI: https://doi.org/10.1163/26669323-20220003.

• LI, Kin Sum (Sammy). 2022. “Attaining Accuracy and Precision of Measuring Containers during the Qin Dynasty,” Journal of Chinese History (CUP), vol. 6, no. 1, pp. 1-22. DOI: https://doi.org/10.1017/jch.2020.47. ESCI, Scopus 89%

• *LI, Kin Sum (Sammy), Quanyu WANG, J. Keith WILSON, Fan Jeremy ZHANG, Jody Ho Yee CHEUNG, Tsz Hin CHUN, Sum LAM, Mingyong PANG, Haoran XIE, Mingqiang WEI, and Kin San LEE. 2021. “Decorated Model, Replication, and Assembly Line of the Bronze Industrial Production in 500 BCE China,” Early China (CUP), vol. 44, pp. 109-42. DOI: https://www.doi.org/10.1017/eac.2021.9. AHCI, Scopus 90%

• LI, Kin Sum (Sammy). 2020. “What the Elites Actually Wore in 500-300 BCE China: Evidence from Textiles, Bamboo, and Bronzes,” Early China (CUP), vol. 43, pp. 161-205, DOI: https://doi.org/10.1017/eac.2020.6. AHCI, Scopus 90%

• Wang, Jidong, Jiajia Dai, Kin-Sum Li, Jun Wang, Mingqiang Wei, *Mingyong Pang. 2018. “Cost-effective printing of 3D Objects with Self-Supporting Property,” The Visual Computer (Springer), pp. 1-13, DOI: https://doi.org/10.1007/s00371-018-1493-y. SCI-E

• LI, Kin Sum (Sammy). 2017. “The Component-Model Method of Mirror Manufacture in 300 BCE China,” Archives of Asian Art (Asia Society; Duke University Press), vol. 67, issue 2, pp. 257-76. DOI: https://doi-org.lib-ezproxy.hkbu.edu.hk/10.1215/00666637-4229728. AHCI

• LI, Kin Sum (Sammy). 2017. “The Design Origins of Qin Metal Weights,” Artibus Asiae (Museum Rietberg, Zurich), vol. LXXVII (77), no. 1, pp. 91-110. AHCI

• LI, Kin Sum (Sammy). 2017. “To Rule by Manufacture: Measurement Regulation and Metal Weight Production in the Qin Empire,” T’oung Pao (Brill), vol. 103, issue 1-3, pp. 1-32. AHCI, Scopus 89%

• LI, Kin Sum (Sammy). 2014. “Designs within Circular Frames: Bronze Mirrors in Northeast Asia, 600-100 BC,” in NMK 2014 Museum Network Fellowship Research Papers, ed. National Museum of Korea, pp. 2-13. Seoul: National Museum of Korea.
   

Conference Articles (Journals)/Papers (Proceedings)

a. Refereed

• *Chan, Ting On, Yibo Ling, Yuli Wang, Kin Sum Li, Jing Shen. 2024. “Structural Analysis of Glazed Tubular Tiles of Oriental Architectures Based on 3D Point Clouds for Cultural Heritage.” journal ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Science, Volume X-1-2024, pp. 19-25. ISPRS TC I Mid-term Symposium “Intelligent Sensing and Remote Sensing Application,” May 13-17 2024, Changsha, China. https://doi.org/10.5194/isprs-annals-X-1-2024-19-20244

• Chan, Connie C.W., Li, K.S. (Sammy), Ngan, Henry Y.T. 2017. “Weaving Pattern Recognition of Ancient Chinese Textiles by Regular Bands Analysis,” journal Electronic Imaging, Intelligent Robotics and Industrial Applications using Computer Vision 2017, vol. 29, pp. 31-6. Society for Imaging Science and Technology. DOI: https://doi.org/10.2352/ISSN.2470-1173.2017.9.IRIACV-263.

b. Invited

• LI, Kin Sum (Sammy). 2022. “Early East Asian Interactions as Seen in Material Records,” in proceeding National Museum of Korea Museum Network Fellowship Online Meeting Sourcebook, National Museum of Korea, p. 33. Seoul: National Museum of Korea.

• LI, Kin Sum (Sammy). 2019. “Qindai liangqi de shengchan yu jingzhun kongzhi” 秦代量器的生產與精準控制, in Zhanguo ji Qin Han shiqi wenxian yu chutu wenshu de lishi kaocha: Zhongguo jianboxue guoji luntan 2019 戰國及秦漢時期文獻與出土文書的歷史考察：中國簡帛學國際論壇2019, Chinese University of Hong Kong, December 12-15, 2019.

• LI, Kin Sum (Sammy). 2018. “Chudi de daguimo shengchan” 楚地的大規模生產 (Mass production in the Chu area – examples from bronze mirrors and textiles), in Chuwenhua yu Changjiang Zhongyou zaoqi kaifa guoji xueshu yantaohui lunwenji (shang) 楚文化與長江中游早期開發國際學術研討會論文集(上) (Proceedings of the International Conference on Chu Culture and the Early Development of the Middle Reach of the Yangtze River), vol. 1, pp. 134-51. Wuhan: Wuhan University.

• LI, Kin Sum (Sammy). 2016. “The Qin faduliang Edict and the Design and Production of the Metal Weights,” in Excavated Manuscripts and Material Culture: Fifth Young Scholars Forum on Excavated Manuscripts, ed. Jao Tsung-I Academy of Sinology, pp. 307-38. Hong Kong Baptist University.

• LI, Kin Sum (Sammy). 2015. “Ancient Jade and Glass: Cultural Interactions throughout the South China Sea,” in Voyages, Migration and the Maritime Silk Road: An International Symposium on China’s Role in Global History, Hong Kong Baptist University.

• LI, Kin Sum (Sammy). 2009. “The Inheritance and Innovation of Buddhist Art: A Perspective of Cultural Dynamics of Chinese and Tibetan Buddhist Art” 佛教藝術的傳承與創新：中國與藏傳佛教藝術文化互動之初探, in Proceedings of the World Buddhist Forum: Buddhist Art and Cultural Enterprises 世界佛教論壇論文集 (佛教的藝文事業), pp. 156-61. Taiwan: Huafan University.

Creative and Literary Works

a. Research Exhibitions Curated and Assisted (with reviews)

• LI, Kin Sum (Sammy). 2023–2026. Curator of in-school exhibitions, “E-Learning Platform of Chinese Art History and 3D Paintings,” in 35 schools, covering an audience of over 2,500 people. Mingpao, Singtao Daily, The Standard, Oriental Daily, AM730 and various mass media channels, June 2, 2025.

• LI, Kin Sum (Sammy). 2022. Program partner and collaborator of “Jockey Club Augmented Reality (AR) in Arts Education Project,” AR exhibition in Tai Kwun, Hong Kong, July 24 to Sep. 25, 2022. https://www.taikwun.hk/zh/programme/detail/jockey-club-augmented-reality-in-arts-education-project-ar-exhibition/1043; Ming Pao Weekly, July 26, 2022.

• LI, Kin Sum (Sammy). 2020-22. Curator of in-school exhibitions, “Teaching Chinese History with 3D Models of Artifacts,” in 19 schools, covering an audience of about 1500 people. Mingpao and various mass media channels, December 13, 2021.

• LI, Kin Sum (Sammy). 2018-2019. Collaborator of the 3D scanning and heritage study parts to the new media art exhibition “HKACT! Act 2 BEING PARALLEL,” an augmented reality public art project, curated by Masaki Fujihata, for the Osage Gallery, November 28, 2018-February 28, 2019. https://www.hkact.hk/beingparallel

• LI, Kin Sum (Sammy). 2017. Invited guest curator of an exhibition: “Universe within Inches: Bronze Mirrors Donated by Professor Mark Kai-keung” 方圓天地：麥氏贈鏡, Art Museum, The Chinese University of Hong Kong, August 12 to September 17, 2017. Reviews of the exhibition appear in multiple newspapers, including “Tongjing cang gushi jiagu xian wenming” 銅鏡藏故事 甲骨顯文明 (Stories hidden in bronze mirrors and civilizations revealed in oracle bones), Takungpao, August 25, 2017.

• LI, Kin Sum (Sammy). 2011-2012. Curator of the exhibition “High Over Asia: Politicization of the Sky – Selections from the Cotsen Children’s Library for the Mid-Atlantic Regional Association for Asian Studies Conference,” Cotsen Children’s Library, Princeton University, December 2011 to June 2012. http://blogs.princeton.edu/cotsen/2012/03/historical-chinese-language-childrens-literature-at-the-cotsen-childrens-library/

b. Translation

• LI, Kin Sum (Sammy). 2023. 「扣岑所藏中國銅鏡的技術分析」, Chinese translation of the article “The Technical Analysis of Chinese Mirrors,” by David Scott, in The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors, vol. 2, pp. 198-233, in Current Trends in World Archaeology 世界考古研究動態, vol. 1, ed. Lai Guolong, pp. 90-132. Beijing: Kexue Chubanshe.

c. Digital, Visual, and Audio Products

• LI, Kin Sum (Sammy). 2025. Producer, designer, and supervisor, creating five interactive 3D models of pre-modern Chinese paintings, one AR APP, and one website, for the research and education project “E-Learning Platform of Chinese Art History and 3D Paintings,” sponsored by the Quality Education Fund (QEF), published on the website https://digital.lib.hkbu.edu.hk/history/3d-paintings/:
  谿山行旅圖: https://digital.lib.hkbu.edu.hk/history/3d-paintings/webgl/web1/index.html
  千里江山圖: https://digital.lib.hkbu.edu.hk/history/3d-paintings/webgl/web2/index.html
  佛頂尊勝陀羅尼經變圖: https://digital.lib.hkbu.edu.hk/history/3d-paintings/webgl/web4/index.html
  明皇幸蜀圖: https://digital.lib.hkbu.edu.hk/history/3d-paintings/webgl/web5/index.html
  凱宴成功諸將士圖: https://digital.lib.hkbu.edu.hk/history/3d-paintings/webgl/web3/index.html

• LI, Kin Sum (Sammy). 2022. Producer, designer, and supervisor of creating 20 3D models of historic Chinese artifacts, for the research and education project “Teaching Chinese History with 3D Models of Artifacts,” sponsored by the Quality Education Fund (QEF), published on the website https://digital.lib.hkbu.edu.hk/history/3d-artifacts/html/ in 2020-2022:
  Bronze bell: https://digital.lib.hkbu.edu.hk/history/3d-artifacts/html/details_01.html
  Bronze ding 鼎 with kui-dragon and cicada pattern: https://digital.lib.hkbu.edu.hk/history/3d-artifacts/html/details_02.html

• LI, Kin Sum (Sammy). 2020. Producer and director of a series of videos “3D Tea Culture and History Series” 3D茶文化歷史系列, published in the YouTube channel, “Art Information Modeling,” premiered June 22, 2020:
  “3D Tea Culture and History Series: 1. Neiguidong and Daoshuikeng” 3D茶文化歷史系列：1. 內鬼洞和倒水坑, 4 minutes, https://www.youtube.com/watch?v=Xg487x9jU5w&list=PLOrqEuk1wXGTwLtVFNoyf1N9Pnh33X955
  “3D Tea Culture and History Series: 2. Qinglou” 3D茶文化歷史系列：2. 青樓, 2 minutes, https://www.youtube.com/watch?v=VKR3fIhgu5o&list=PLOrqEuk1wXGTwLtVFNoyf1N9Pnh33X955&index=2
  “3D Tea Culture and History Series: 3. Yulinting yaozhi” 3D茶文化歷史系列：3. 遇林亭窰址, 2 minutes, https://www.youtube.com/watch?v=yIW9RtiLH_o&list=PLOrqEuk1wXGTwLtVFNoyf1N9Pnh33X955&index=3
  “3D Tea Culture and History Series: 4. Sun Jianxing longyao” 3D茶文化歷史系列：4. 孫建興龍窰, 4 minutes, https://www.youtube.com/watch?v=EtqWAoDt50Y&list=PLOrqEuk1wXGTwLtVFNoyf1N9Pnh33X955&index=4

d. Artefacts and/or Designs

• LI, Kin Sum (Sammy). 2025. Designer, producer, publisher, and distributor of 16 bells in ancient Chinese style, cast in brass, based on a different 3D model of a 500 BCE bell from Xinzheng, Henan province, with another two-tones, for an experiment devoted to the study of ancient Chinese bronze bells change their tones along with size alterations;

• LI, Kin Sum (Sammy). 2023. Designer, producer, publisher, and distributor of 16 Chinese bells, cast in brass, based on a model of a 500 BCE bell from Xinzheng, Henan province, for a research project devoted to the study of the ancient Chinese bronze bells;

• LI, Kin Sum (Sammy). 2022. Designer, producer, publisher, and distributor of:
  15 Buddha heads, 3D printed with resin;
  15 Chinese bells, 3D printed with resin;
  5 Chinese bells, cast in brass;
  for a research and education program that served about 1500 people and 19 primary and secondary schools, which changed how the method they learn Chinese history.

Other Outputs

a. Book Reviews

• LI, Kin Sum (Sammy). 2021. Book review of Xie Mingliang 謝明良. 2019. Maoyi taoci yu wenhuashi 貿易陶瓷與文化史 (Trade ceramics and cultural history), in China and Asia (Brill), 2.2: 327-35. Xie’s book is written in Chinese, Li’s review in English.

• LI, Kin Sum (Sammy). 2016. Book review of Charles Sanft, Communication and Cooperation in Early Imperial China: Publicizing the Qin Dynasty, in Bulletin of the Jao Tsung-I Academy of Sinology 饒宗頤國學院院刊, vol. 3, pp. 361-5. This was translated into Chinese by Tan Ren 談仁, “評陳力強《早期帝制中國的溝通與協作——秦王朝的宣傳工程》,” “漢學英華——饒宗頤國學院院刊增刊,” eds. Meng Fei 孟飛 and Chan Chok Meng 陳竹茗, Hong Kong: Chung Hwa Book, 2018, pp. 303-8.

b. Others

• LI, Kin Sum (Sammy). 2019. “Wo zai Xinya Shuyuan de er san shi” 我在新亞書院的二三事 (My life in New Asian College), Cheng Ming, fenjin – Xinya jingshen tongshi ziliao xuanji 誠明‧奮進——新亞精神通識資料選輯 (Anthology of materials related to the New Asia College Spirit), eds. Zhang Xueming 張學明 and He Biqi 何碧琪, pp. 309-13. Hong Kong: Shangwu Yinshuguan 商務印書館.

• LI, Kin Sum (Sammy). 2017. Introduction and entries for “A Japanese Private Collection of Chinese Bronze Mirror,” in Chinese Art, Including Selected Works of Art from the T.Y. Chao Family Collection, Sotheby’s auction catalogue, Hong Kong, November 30 – December 1, 2017, pp. 206-15. Hong Kong: Sotheby’s.

• LI, Kin Sum (Sammy). 2016. “Zhongguo dalu de ruxue” 中國大陸的儒學 (Confucianism in Mainland China), in Modern History Research Centre Newsletter 近代史研究中心通訊 2016.1: 8-10. Hong Kong: Department of History and Modern History Research Centre, Hong Kong Baptist University.

• LI, Kin Sum (Sammy). 2012. “Qiuxue yu zuoren – ji yu Yu Ying-shi jiaoshou de yici tanhua” 求學與做人——記與余英時教授的一次談話 (Interview of Prof. Ying-shih Yu), in New Asia Life Monthly 2012.9, pp. 40-42. Hong Kong: New Asia College.

As principal investigator:

• 2025-2028 (36 months): as co-PI of HKBU “Digital Studies of Ancient Bronze Bells: Sound, Form, and Re-creation” 先秦時代青銅鐘的數字研究：音、形、創 (BNBU co-PI: Eugene Ch’ng) (Department of Science and Technology of the Guangdong Province of People’s Republic of China, HKBU, and BNBU: 廣東省科技廳、粤港高校「1+1+1」聯合資助計劃 Guangdong and Hong Kong Universities “1+1+1” Joint Research Collaboration Scheme) [$2,231,850 HKD in total]

• 2023-2026 (36 months): “E-Learning Platform of Chinese Art History and 3D Paintings” 中國藝術歷史+3D古畫電子教學平台 (Quality Education Fund E-Learning Ancillary Facilities Programme, Hong Kong Government) [$4,616,400 HKD]

• 2022-2025 (36 months): “Casting Two-tone Bells in Ancient China: Designs and Manufacturing Techniques” (General Research Fund, RGC, Hong Kong) [$808,000 HKD]

• 2020-2022 (24 months): “Teaching Chinese History with 3D Models of Artifacts” 中國歷史教學與3D文物 (Quality Education Fund, Hong Kong government) [$1,353,100 HKD]

• 2019-2022 (36 months): “Attaining Accuracy and Precision of Measuring Containers during the Qin Dynasty” (Early Career Scheme, RGC, Hong Kong) [$540,000 HKD]

• 2018-2021 (36 months): “Turquoise Technology and Resource Procurement in China: From the Early Neolithic Jiahu to the Bronze Age Erlitou” (General Research Fund, RGC, Hong Kong) [$1,002,490 HKD]

• 2017-2020 (36 months): “The Production, Function, and Revitalization of Silk Textiles from Ancient China” (General Research Fund, RGC, Hong Kong) [$1,435,924 HKD]

• 2016-2019 (36 months): “The Mass Production of Bronzes in 500-300 BC China” (General Research Fund, RGC, Hong Kong) [$770,480 HKD]

• 2016-2018 (24 months): “Industrial Production and Unification of the Weight System in the Qin Empire” (Chiang Ching-kuo Foundation for International Scholarly Exchange) [$404,560 HKD]

As principal supervisor:

• 2023-2026 (36 months): “The Art of Signs: Symbolic Notation and Visual Thinking in Early Modern Europe” (declined) (RGC Postdoctoral Fellowship Scheme) [Over $1,200,000 HKD]