CHEN, Fong-fong 陳芳芳博士
Lecturer II, Department of History

PhD, The Chinese University of Hong Kong
MA, The Hong Kong University of Science and Technology
BA (Hons) The Chinese University of Hong Kong
J.S. Lee Memorial Fellow and Visiting Scholar, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley (2013-14)
Recognised Student (History of Art) University of Oxford
Tel: (852) 3411 7106
Email: cffong@hkbu.edu.hk
 
RESEARCH FOCUS  

Transnational History of Chinese Art
Material Culture and Print Studies
History of Photography
Intellectual and Cultural History
Women in Chinese Art and History
Hong Kong Art and History
Museum and Archives Studies
 
SELECTED PUBLICATIONS  
  1. Articles and Book Chapters
  (In Press) “Xinzhuang banjiu: Wu Youru hua zhong de shizhuang shinü 新妝半舊——吳友如畫中的時妝士女” (Envisioning the New from the Old Look: Pictures of Fashionable Women by Wu Youru). In Kanjian xingbie: Jin xiandai zhongguo yishushi yanjiu xin shiye『看見』性別:近現代中國藝術史研究新視野 (Seeing Gender from Late Imperial to Modern China), edited by Dorothy Ko 高彥頤, Aida Yuen Wong 阮圓, and Yu-Chih Lai 賴毓芝, Taipei: Rock Publishing. (In Chinese)
  “Nong hua xiang man yi: Shinü hua zhong de ‘Luofu Xiangying’ tu 弄花香滿衣——仕女畫中的「羅浮香影」圖” (“Caressing Flowers Steeped My Clothes in Fragrance: ‘Fragrant Shadows at Luofu’ in Female Figure Paintings”). In The Bei Shan Tang Legacy: Chinese Painting II 北山汲古:中國繪畫(下冊), 404-407, and The Bei Shan Tang Legacy: Chinese Painting (Supplementary Catalog) 北山汲古:中國繪畫(別冊), 47-50, edited by Harold Kar-leung Mok,  Hong Kong: Department of Fine Arts and the Art Museum, The Chinese University of Hong Kong, 2019. (In Chinese and English)

“What Remains in Ruins 廢墟之問.” In Ying Tianqi: What Remains in Ruins 應天齊:廢墟之問, translated by Eleanor Goodman, 7-13. Hong Kong: University Museum and Art Gallery, The University of Hong Kong, 2017. (In English and Chinese)
  “Zhu Da ‘Ge Shan xiaoxiang’ yu Ming-Qing wenren fengshang 朱耷「个山小像」與明清文人風尚” (Zhu Da’s ‘Ge Shan Portrait’ and Literati Culture in the Ming and Qing Periods). Mingqing yanjiu 20, no. 1: 109-134. http://dx.doi.org/10.1163/24684791-12340006 (In Chinese)

“Wen Peng ‘xingshu chi du’ 文彭《行書尺牘》” Shu yu hua《書與畫》. Shanghai: Shanghai shuhua chubanshe 上海書畫出版社, V.7, 2017: 4. (In Chinese)
  “Wen Zhengming ‘Ci-poem for Xu Lin in Running Script’ 文徵明《行書寄金陵友人詞》”  Shu yu hua《書與畫》. Shanghai: Shanghai shuhua chubanshe 上海書畫出版社, V.8, 2017 : 4-9. (In Chinese)
  “Fashionable Fabrications: Women and Photography Beyond Boundaries 女性與攝影越界.” In 2016 Hong Kong International Photo Festival. Hong Kong: Hong Kong International Photo Festival, 2016. (In English and Chinese)
  “The Everyday and the Core: Lin Xue's Untitled Drawings 日常與核心 ——林穴的無題畫.” Leap: The International Art Magazine of Contemporary China 22, no. 4 (September 2013). (In English and Chinese)
  “Romantic Pursuit in Sim Lau's Poetry 劉芷韻新詩的浪漫一種.” In Awards for Creative Writing in Chinese—Work Collection 2008, 167-192. Hong Kong: Hong Kong Public Libraries, 2009. (In Chinese)
  2. Exhibition Catalog Entries
  Seventy-nine catalog entries in Tradition to Contemporary: Ink Painting and Artistic Development in Twentieth-Century China 鑑古賞今——二十世紀中國的水墨與藝術發展. Hong Kong: University Museum and Art Gallery, The University of Hong Kong, 2018, 38-233. (In English and Chinese)
  Three catalog entries in The Bei Shan Tang Legacy: Chinese Calligraphy 北山汲古——中國書法, edited by Harold Kar-leung Mok. Hong Kong: The Art Museum, The Chinese University of Hong Kong, 2014, cat. 22, 24, 28. (In Chinese)
  Twenty-five catalog entries in James Cahill, Sarah Handler and Julia White, Beauty Revealed: Images of Women in Qing Dynasty Chinese Painting. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2013, cat. 1-17, 19-26. (In English)
  (Co-author) “Three Album Leaves about the Drama ‘The Lute’ (Pipa ji 琵琶記).” In The Perfect Brush: Chinese Painting 1300-1900/ Der perfekte Pinsel: chinesische Malerei 1300-1900, edited by Clarrisa von Spee and Adele Schlombs. Köln: Museum für Ostasiatische Kunst, 2010, cat. 24, 104-110. (In English and German)
  3. Selected Exhibitions and Curatorial Practice
  Curator, “Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China,” University Museum and Art Gallery, The University of Hong Kong, 24 Aug.–25 Nov. 2018.
  Curator, “Ying Tianqi: What Remains in Ruins,” University Museum and Art Gallery, The University of Hong Kong, 16 Jun.–27 Aug. 2017.
  Curator, “Multiple Encounters,” University of California, Berkeley Art Museum and Pacific Film Archive, 6 Nov.2013–16 Feb. 2014.
  Curatorial Fellow, “Beauty Revealed: Images of Women in Qing Dynasty Chinese Painting,” University of California, Berkeley Art Museum and Pacific Film Archive, 25 Sept.–22 Dec. 2013.
  Invited Guest Curator, “Gazing through the Surface Beauty: Tales of Old Shanghai and Works of Austrian Painter Friedrich Schiff”, presented by The Austrian Consulate General, Hong Kong, Hong Kong City Hall Low Block, 10–21 Mar. 2011.